Prices. Our prices on new equipment are legendary, better than you will find in any catalog.
Selection. We stock over $8,000,000 in inventory in 3 buildings and 4 warehouses, so you will find most anything you want in stock, even hard to find items. Our showrooms are so well stocked, we need 2 separate buildings just to house them. We have display models of several of each type of product we sell, and tons of back stock and inventory so that we can be sure to have the right gear for you, in stock, ready for immediate delivery. We carry so much gear in fact that we can't even begin to display it all, so make sure if there is something you are looking for that you don't see, make sure you ask about it, chances are we have it. Many a customer has been unable to pass up something cool we "happened to have in the basement".
Service. When you contact us you are dealing with real world salespeople, the same ones you would talk to if you were in the store, not telemarketing operators or order takers. All of our salespeople have real world experience with all of the latest gear, and lots of retail music sales experience. Lets face it, in this day and age of big-box, faceless retailing, it can be hard to find someone who can help you to find the right gear, the first time. There is more musical equipment available now than ever before, and consumers often can need help in making the right decision in their purchases. Our salespeople are trained professionals, with years of experience, not clerks selling instruments while waiting for their "big break".
Reputation. We have been in business for over 40 years, and built our reputation by word of mouth referrals from our customers, without national advertising. Our satisfied customers are our best advertisement, including lots of world class recording and touring professionals, as well as hundreds of colleges, government agencies, and military bands.
When the subject is further than a built-in camera mic will effectively record, you'll need a good shotgun mic like the FR-303. Measuring only 6 inches in length, the FR-303 offers clear, high-quality recordings and is perfect for videographers who...
The MXL FR-300 phantom-powered shotgun microphone allows videographers to reach out to subjects for clear, high quality recording. The MXL FR-300 can also be used for general video recordings like weddings as well as for Foley work, interviews,...
- Audio-Technica’s AT875R high-performance short shotgun microphone is designed video production and broadcast (ENG/EFP) audio acquisition. A-T’s shortest shotgun microphone (under 7"), it is ideal for use with compact digital cameras -...
The Sennheiser MKE 400 is an exciting release for camcorder enthusiasts the world over - it's an extremely compact, and extremely versatile shotgun microphone for cameras with a lighting shoe mount and external mic input. With the utlra-discrete MKE...
- The length (14.53") of the AT8035 Line + Gradient Condenser Microphone is well-suited for ENG, outdoor recording and other specialized uses. The microphone is designed for video production and broadcast (ENG/EFP) audio acquisition. - The length...
- Audio-Technica’s AT897 high-performance short shotgun microphone is designed for field audio acquisition in film/TV/video production, professional recording, wildlife recording and broadcast applications - Audio-Technica's AT897 is designed for...
The RØDE NTG-2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.The NTG-2 provides a balanced low impedance output stage and operates either from an...
- Designed for video production and broadcast (ENG/EFP) audio acquisition, the AT8015 provides the narrow acceptance angle desirable for long-distance sound pickup, along with excellent sound rejection from the sides and rear of mic. - Designed for...
The NTG-3 Shotgun Microphone is the result of years of development by RØDE engineers, providing the professional broadcast and film industries with an affordable yet uncompromising microphone.Using a technology known as RF-bias, the RØDE NTG-3 is...
Based on models originally developed for use in the broadcast of the Sydney Games in 2000, the BP4027 (14.96" long) and BP4029 (9.29" long) Stereo Shotgun models are engineered for high-end broadcast and production use. Both microphones feature...
- 14.96 inches (380.0 mm) long, the BP4027 stereo shotgun is engineered for long-distance pickup in broadcasting and film/TV production. Features internal matrixing innovations. - Based on models originally developed for use in the broadcast of the...
The MKH 416 is a shotgun interference tube microphone. Its excellent directivity and compact design, low self noise, high consonant articulation and feedback rejection make the MKH 416 a superb all-round microphone for film, radio and television,...
The KMR 81 is a shotgun microphone with a high directivity that remains within the acceptance angle independent of the frequency. The advantage is that a sound source, for example an actor on stage, will not change its apparent tonal balance when...
The KMR 82 is a shotgun microphone with a high directivity that remains within the acceptance angle independent of the frequency. The advantage is that a sound source, for example an actor on stage, will not change its apparent tonal balance when...
Special Application Mics 
